It’s not as if Samuel Kerson forced his mural commemorating Vermont’s role in the Underground Railroad upon Vermont Law School. He proposed it and they were all on board. But that was then, 1993, before art was subject to the potential of hurt feelings and offense should any observer disapprove. Then again, back in 1993, one would have confidently expected the ACLU to support art, and the right of artists not merely to express themselves but to not have their art permanently removed from sight.
But that was then, 1993. Today, that’s no longer the case. Continue reading
