“I feel like our job as a group of documentarians trying to cover this very delicate issue was to do what we’re always trying to do, which is tell the truth. Let’s hear everybody out. And then let’s let the audience decide for themselves what’s true and what’s not true or what’s right and what’s wrong.”—“Cheer” director Greg Whitely (emphasis mine)
It’s funny reading a comment like that from a documentary filmmaker. One of my problems with that genre, specifically in the realm of criminal justice issues, is the tendency to take nuanced issues and present them as unvarnished truth. When the director’s eye turns its gaze toward what makes a story pop for the camera, concepts like the presumption of innocence become evanescent. Continue reading



