In 1971, Helen Reddy released “I Am Woman,” which became a number one hit after being re-released the following year. It was a great song, catchy tune, good beat, and made Reddy some decent coin. It became the anthem of the Women’s Liberation Movement, and changed everything. Oh wait. No. It didn’t actually accomplish anything. But it was definitely empowering at the time.
There is nothing wrong with music, art, symbols that stir people’s passions. Sure, they may be merely feel-good symbols, and they raise awareness of issues that matter to people. Whether the issue is one you care about isn’t important. If someone does, they’re entitled to their say, their song. Or their statue. And if it’s good enough, it will sell a million copies. Or get approval to stand on a traffic island in downtown Manhattan, even if it began life as guerrilla art.
Arturo Di Modica dropped his bronze, Charging Bull, in front of the New York Stock Exchange in the middle of the night on December 15, 1989. He intended it to send a message.
Arturo Di Modica first conceived of the Charging Bull as a way to celebrate the can-do spirit of America and especially New York, where people from all other the world could come regardless of their origin or circumstances, and through determination and hard work overcome every obstacle to become successful. It’s this symbol of virility and courage that Arturo saw as the perfect antidote to the Wall Street crash of 1986.


