It was hard to miss with its prominent placement on the top right corner of the New York Times’ home page, and what it said was pretty shocking. American theater is a hotbed of racism?
In a way, it shouldn’t be surprising. The more sensitive a group is toward an issue, the greater the issue looms and the more damnable the group is. But it’s the irony of it all, the theater, those people most theoretically progressive, sensitive, empathetic, and open to rhetorical gibberish that appeals to the uneducated and shallow mind, would seem to be the least racist place one could find outside of the grievance studies department in academia. Yet, here we were, racism as the star. Who knew? Continue reading
