Among the most pressing issues making America horrible on Independence Day was that the women who played for the United States soccer team were paid a mere fraction of what the men were paid, even though they were far more successful in their World Cup challenge. It was so horrible that the New York Times felt compelled to call it out as an example of America’s awfulness, the sexism permeating our society.
Except there is an actual reason for it, as is obvious to anyone not seeking an example of sexism. Women’s soccer isn’t nearly as popular as men’s soccer, doesn’t earn anywhere near the same money and, consequently, can’t pay what it doesn’t make. The problem isn’t sexist pay scales, but lack of public interest. Like it or not, you can’t force people to be fans of women’s soccer. People watch and attend the sporting events they prefer. They’re just not that into it.
That same problem affects art, and its relationship to race, as well. There have long been complaints that female and minority artists have been closed out of exhibitions, and therefore can’t get their work seen by the public. If the public can’t see it, they can’t love it. If their work isn’t seen because curators favor work by white male artists, then they have a strong argument. So the Whitney put on a show. Continue reading

